Paradiso, Dante*: The Embassy: A Story of War and Diplomacy** (2016)
* RPCV Kenya (1993-1995)
** Winner of 2017 Paul Cowan Non-Fiction Award
Discussion: Tuesday, December 19, 2017, 7:00-8:30 pm. Location at the home of Jane and Mike Waite, 7008 Kansas St in Vancouver WA, 360-314-4117. Participating in our discussion will be Dante Paradiso, the book’s author, via Skype from Hong Kong. Feel free to bring snacks to share.
Review: © Kirkus Reviews: Paradiso (The Pure Life, 2005) tells the story of how the staff of the American Embassy in Monrovia attempted to halt the second Liberian civil war. By the summer of 2003, “the Liberian civil war had lasted three years, or thirteen, or twenty-three, depending on how you counted.” As two different rebel armies approached Monrovia from different directions, the government of the corrupt, violent president Charles Taylor was struggling to hold onto power. The capitol was filled with militias loyal to Taylor, including units composed of child soldiers, whose unpredictable behavior made them as fearsome to the local populace as the rebels on the city’s outskirts. When word reached Liberia that an international criminal court was seeking to indict Taylor for war crimes, the fragile situation exploded: the rebel armies attacked and plunged Monrovia into heated combat. The last bastion of reason and hope for the city was U.S. Ambassador John William Blaney III and his team, holed up in the American Embassy. As the neighborhoods around them descended into chaos, this disparate group of diplomats, soldiers, and contractors worked to broker a cease-fire and provide a beachhead for the West African peacekeeping force that was attempting to restore order. Paradiso’s book tells a story about people who took on the seemingly impossible task of keeping all hell from breaking loose. He has a novelist’s sense of pacing and character, assembling the story from the perspectives of the various people involved—from those who witnessed the events from the embassy offices to others in the streets of the capital. Paradiso’s prose captures the surreal landscape of his subject, although he takes pains not to exoticize or romanticize the various groups involved: “The world press, which otherwise ignored the country, was quick to run images of child fighters dressed in lurid wigs and wedding dresses, wearing necklaces of human fingers.” Overall, this book offers an engaging story that will be unfamiliar to many American readers as well as a nuanced look at the grittiness and complexity of war and diplomacy. A compelling account of an obscure international crisis.